I explained how I made these bookmarks in my previous post. As a testament of how easy they are to make with the right tools, I made another one in the same night!
I used colored pencil swatches for this one. The top swatch is Faber-Castell Polychromos; the middle swatch is Prismacolor Premier Soft Core; and the bottom swatch is Caran d’Ache Luminance .
I recently made some Caran d’Ache Neocolor II swatches and wrote about them in a previous post. I used Color Combo stamps from Waffle Flower to print the layouts and spent about 2 hours coloring them in.
If you aren’t familiar with Neocolor II, they are highly-pigmented water-soluble crayons. You can use them dry or activate them with water.
Finished Neocolor II swatches.
I love making things with my manual die cutter and I have a steel rule die from Waffle Flower (obviously one of my favorite suppliers) that I use to make tags. I decided to use some of these swatches to create a bookmark.
First, I cut out the swatches I wanted to use. Then I glued them to the tag. As a finishing touch, I added a tassel.
I was so pleased with it that I decided to start on another one! It was an easy project when using the right tools.
Prismacolor Premier colored pencil swatch on Canson XL paper.
I’m going to use Caran d’Ache Luminance and Faber-Castell Polychromos to do the other two swatches.
It’s no secret that Stonehenge is one of my favorite brands of paper. There’s good reason for that – they make high-quality, affordable products. There are also many varieties to choose from with each option coming in a variety of sizes.
Since I primarily make tiny art, I always search for the smallest pads I can find. Legion has many of their products available in mini-sizes. This pad of hot press is 2.5″ by 3.75″ which is slightly bigger than Strathmore Artist Trading Cards. These pads are perfect if you work on a small scale.
I want to spend some time with my set of oil-based Faber-Castell Polychromos colored pencils, so this test of Stonehenge Hot Press only pertains to those.
From the very first pass, I knew I was going to love it. It has the perfect amount of texture for the oil-based pencils, which excel on a medium-tooth surface. Even though I didn’t try wax-based pencils on Stonehenge Hot Press yet, I anticipate it to be a good substrate for those as well.
The Verdict: this an excellent choice for Polychromos colored pencils (and Faber-Castell Albrecht Durer Watercolour Pencils, which I will discuss in a separate review).
Closeupof burnished color. I used a wax-based Caran d’Acheblending stick and a felt burnisher.
Full disclosure: I love every single Stonehenge paper product I’ve tried. They are perfection, plain and simple. The Aqua Cold Press is no exception.
Available in pads, blocks, and sheets.Closeup of textureSheet thickness
In Part 1 of my search for the best colored pencil paper, I described the differences between the 4 brands of colored pencil I’m using in my test: Caran d’Ache Luminance, Caran d’Ache Pablo, Faber-Castell Polychromos, and Prismacolor Premier Soft Core. The differences between the properties of pencils affect the way they will perform on the paper, so it’s worth a quick read if you aren’t familiar with the pencils.
Before I did a more methodical test, I just wanted to play a bit with gradients of my two favorite pencils: Luminance (wax-based) and Polychromos (oil-based). They both preformed exceptionally well, however Luminance applied more smoothly. It’s worth noting that the scraps I used were trimmed from the edges of a watercolor I was working on and, despite being banged up, they still easily accepted thick layers of color.
Left: Caran d’Ache Luminance; Right: Polychromos
Then I moved on to test all four of the brands I mentioned above. From left to right, the colors I used are as follows:
Polychromos – Rose Madder Lake
Polychromos – Skyblue
Prismacolor – Lilac
Luminance – Spring Green
Pablo – Orange *
Luminance –Anthraquinoid Pink
Luminance – Light Malachite Green
Pablo – Lemon Yellow
Prismacolor – Non-Photo Blue
Polychromos – Dark Cadmium Yellow
*I snagged the paper with a sharp pencil point on the 5th square. Despite it looking like a total mess right after it happened, I was able to use some Gamsol mineral spirits to smooth out the color.
The Verdict
Stonehenge Aqua Cold Press is an excellent choice for both oil and wax based colored pencils. I slightly preferred the wax-based pencils to the oil-based pencils, because they allowed a couple more layers of coverage. The application is velvety-smooth even after several layers of color have been added. There was virtually no wax bloom to speak of. This paper is at the top of my list for both watercolor AND colored pencil projects.
Here is a 🟢 BONUS DOT 🟢 showing 1) light, 2) medium, 3) heavy, and 4) burnished Polychromos application.
I wanted an excuse to play with my new set of Faber-Castell Polychromos colored pencils so I did a quick color wheel for a ROYGBIV study.
Cheap bullet journal stencil sets have been an invaluable tool for making color swatches. I found a set on Amazon that was perfect for color wheels and this was the result. It took about two hours and I’m happy with the result.