Faber-Castell Mandala Stencils

I love working with stencils. Drawing geometric designs tends to take my mind off of everything else because it requires so much concentration. The stencil below took about 45 minutes to complete. While I was working on it, I thought of nothing other than drawing the tiny, thin lines. I used Faber-Castell Pitt pens in XS and S.

The stencil I chose tonight.

Faber-Castell makes uniquely-designed stencils. They are very precise but they are made out of cardstock – not the plastic I’m used to working with. Even if you tape them securely with painter’s tape, they can still lift up while you are drawing. This could cause messy, uneven lines so you have to be very careful when using them.

Closeup of the stencil.

Regardless, they are so fun to use! I recommend them to anyone who likes zoning out while stenciling and coloring. They are a great way to break a creative block or just to try out new supplies.

Closeup of the finished line work. As you can see, there were a few places where the stencil lifted up.

I’m using Arteza gouache to paint it. The opacity is a wonderful way to hide any line mishaps. It’s going to take awhile to paint, but I’m enjoying it!

Caran d’Ache Gouache Review

I’ve never owned a set of gouache but, based on a glowing recommendation, I decided to purchase a 15-color set of Caran d’Ache Classic Gouache. As soon as I opened the package, it was love at first sight. The presentation is beautiful.

The set comes with 14 colors of gouache and a tube of white. They include a size 8 synthetic brush which I liked very much. There are also 5 large wells on the lid for mixing.

The only qualm I have with the presentation was the absence of color names on the pans. It required a bit of research to identify the colors. The pans include the product numbers on the side in very small print, so I had to find the official chart with corresponding color names.

Caran d’Ache Gouache color chart.

Before I did swatches, I labeled my pans with the information I found for easy identification when I am painting.

My swatches.

I found the pigment information on Wet Canvas which will be helpful when mixing colors. Note that they call product number 090 “Magenta” while the official name is “Purple.”

The Verdict: This is a very useful, versatile set of paints. It contains warm primaries consisting of Yellow (010), Vermilion (060), and Ultramarine (140). There are also cool primaries: Lemon Yellow (240), Purple (090), and Carmine (080). These colors alone will give you a wide range of hues. I anticipate the other colors in the set will produce lovely mixes as well.

Caran d’Ache does it again. I was never very interested in gouache, but I certainly am now.

Handmade Bookmark with Colored Pencil Swatches

I explained how I made these bookmarks in my previous post. As a testament of how easy they are to make with the right tools, I made another one in the same night!

I used colored pencil swatches for this one. The top swatch is Faber-Castell Polychromos; the middle swatch is Prismacolor Premier Soft Core; and the bottom swatch is Caran d’Ache Luminance .

Handmade Swatch Bookmark

I recently made some Caran d’Ache Neocolor II swatches and wrote about them in a previous post. I used Color Combo stamps from Waffle Flower to print the layouts and spent about 2 hours coloring them in.

If you aren’t familiar with Neocolor II, they are highly-pigmented water-soluble crayons. You can use them dry or activate them with water.

Finished Neocolor II swatches.

I love making things with my manual die cutter and I have a steel rule die from Waffle Flower (obviously one of my favorite suppliers) that I use to make tags. I decided to use some of these swatches to create a bookmark.

First, I cut out the swatches I wanted to use. Then I glued them to the tag. As a finishing touch, I added a tassel.

I was so pleased with it that I decided to start on another one! It was an easy project when using the right tools.

Prismacolor Premier colored pencil swatch on Canson XL paper.

I’m going to use Caran d’Ache Luminance and Faber-Castell Polychromos to do the other two swatches.

Stay tuned for my second bookmark!

Schmincke 140-Color Dot Card

I’ve been putting my feelers out, trying to get an idea of what I want for my birthday this year. I like getting gifts that I normally wouldn’t buy on my own but I like to do research to make sure that it will have a perfect home in my collection of supplies.

I’ve been hearing outstanding reviews of Schmincke Horadam watercolors, but I’ve never tried them out. As it so often does, Amazon pulled through for me by offering a 140-color Schmincke dot card.

The packaging is absolutely lovely.

Outer envelope.
Booklet cover.

One thing that was slightly disappointing was the small amount of paint they give you in each dot. I am used to the generous blobs of paint Daniel Smith offers on their dot cards. Even though the dots are smaller, I think that I will have enough to test the colors and have some left for accents in paintings.

Full card.

I can tell just by the deepness of the dried paint that these are highly pigmented. I’m so excited to start discovering new colors!

Just Some Pretty Finetec Pearlescent Colors

I just wanted to share some pretty pictures I took of the Finetec Pearlescent Flip Flop Colors. They are so beautiful and fun to play with! They are only available in the 24-set of the pearlescent colors so it’s a good excuse to upgrade!

Finetec Patina Flip Flop
Side angle of Patina showing the chrome effect.
A splat of Patina over Mission Gold Sap Green.
Finetec Twilight Flip Flop
Top view of Twilight.

The Search for the Best Colored Pencil Paper: Part 4 – Stonehenge Hot Press

It’s no secret that Stonehenge is one of my favorite brands of paper. There’s good reason for that – they make high-quality, affordable products. There are also many varieties to choose from with each option coming in a variety of sizes.

Since I primarily make tiny art, I always search for the smallest pads I can find. Legion has many of their products available in mini-sizes. This pad of hot press is 2.5″ by 3.75″ which is slightly bigger than Strathmore Artist Trading Cards. These pads are perfect if you work on a small scale.

I want to spend some time with my set of oil-based Faber-Castell Polychromos colored pencils, so this test of Stonehenge Hot Press only pertains to those.

From the very first pass, I knew I was going to love it. It has the perfect amount of texture for the oil-based pencils, which excel on a medium-tooth surface. Even though I didn’t try wax-based pencils on Stonehenge Hot Press yet, I anticipate it to be a good substrate for those as well.

The Verdict: this an excellent choice for Polychromos colored pencils (and Faber-Castell Albrecht Durer Watercolour Pencils, which I will discuss in a separate review).

Closeup of burnished color. I used a wax-based Caran d’Ache blending stick and a felt burnisher.

Caran d’Ache Neocolor II Swatches

Caran d’Ache products are the crème de la crème of art supplies. Any item they manufacture – whether it be colored pencils, water-soluble pencils, graphite sticks, etc. – is a shining jewel in an art supply collector’s studio.

I was introduced to the brand while meandering through my local art store and stumbling upon a giant open-stock display of Neocolor II water-soluble wax pastels. At the time, I had no idea how to use them, but the vibrant colors beckoned to me. I picked up a tin and went to my studio.

There was a bit of a learning curve. Actually, I’m still learning different techniques. Today, though, I just felt like coloring, so I did some swatches.

I used Arches Rough Watercolor Paper which turned out to be an excellent choice. Because the paper is so toothy, I only needed to make a light pass to get adequate coverage for filling in the squares.

Eventually, I’m going to cut these out and put them in my scrapbook.

The last square is still drying.

First Page of my Scrapbook — DONE!

I finished the first page of my scrapbook over the weekend! The most fun part of this project is choosing the right piece of scrap to make an interesting composition.

This scrap on Arches Rough was a tester of Sennelier Indanthrene Blue mixed with Paul Rubens glitter paint and Finetec Iridescent Paint. The background is a wash of Mission Gold Indigo and Sap Green, with a little bit of Daniel Smith Mars Yellow. It looks moody, like tears, and I thought it was an apt way to start my scrapbook. I suffer from depression and art is very therapeutic for me. I don’t want the whole project to display my sadness—I want to keep it upbeat and colorful—but I do want it to be a true representation of who I am.

Anyway, here it is! I was really impressed with how the page of the Ranger Dylusions Flip Journal held up to the watercolor wash.