I had a very special helper tonight! My bearded dragon Daisy used her impeccable eye for design to help me pick out colors for bookmarks.


I had a very special helper tonight! My bearded dragon Daisy used her impeccable eye for design to help me pick out colors for bookmarks.


I explained how I made these bookmarks in my previous post. As a testament of how easy they are to make with the right tools, I made another one in the same night!
I used colored pencil swatches for this one. The top swatch is Faber-Castell Polychromos; the middle swatch is Prismacolor Premier Soft Core; and the bottom swatch is Caran d’Ache Luminance .

I’ve been spending all my free time testing my new Faber-Castell Albrecht Dรผrer Watercolor Pencils. I’m going to write a longer review but I wanted to share some pictures of my tests.



It’s no secret that Stonehenge is one of my favorite brands of paper. There’s good reason for that โ they make high-quality, affordable products. There are also many varieties to choose from with each option coming in a variety of sizes.
Since I primarily make tiny art, I always search for the smallest pads I can find. Legion has many of their products available in mini-sizes. This pad of hot press is 2.5″ by 3.75″ which is slightly bigger than Strathmore Artist Trading Cards. These pads are perfect if you work on a small scale.

I want to spend some time with my set of oil-based Faber-Castell Polychromos colored pencils, so this test of Stonehenge Hot Press only pertains to those.
From the very first pass, I knew I was going to love it. It has the perfect amount of texture for the oil-based pencils, which excel on a medium-tooth surface. Even though I didn’t try wax-based pencils on Stonehenge Hot Press yet, I anticipate it to be a good substrate for those as well.
The Verdict: this an excellent choice for Polychromos colored pencils (and Faber-Castell Albrecht Durer Watercolour Pencils, which I will discuss in a separate review).


Full disclosure: I love every single Stonehenge paper product I’ve tried. They are perfection, plain and simple. The Aqua Cold Press is no exception.



In Part 1 of my search for the best colored pencil paper, I described the differences between the 4 brands of colored pencil I’m using in my test: Caran d’Ache Luminance, Caran d’Ache Pablo, Faber-Castell Polychromos, and Prismacolor Premier Soft Core. The differences between the properties of pencils affect the way they will perform on the paper, so it’s worth a quick read if you aren’t familiar with the pencils.
Before I did a more methodical test, I just wanted to play a bit with gradients of my two favorite pencils: Luminance (wax-based) and Polychromos (oil-based). They both preformed exceptionally well, however Luminance applied more smoothly. It’s worth noting that the scraps I used were trimmed from the edges of a watercolor I was working on and, despite being banged up, they still easily accepted thick layers of color.

Then I moved on to test all four of the brands I mentioned above. From left to right, the colors I used are as follows:



Stonehenge Aqua Cold Press is an excellent choice for both oil and wax based colored pencils. I slightly preferred the wax-based pencils to the oil-based pencils, because they allowed a couple more layers of coverage. The application is velvety-smooth even after several layers of color have been added. There was virtually no wax bloom to speak of. This paper is at the top of my list for both watercolor AND colored pencil projects.
Here is a ๐ข BONUS DOT ๐ข showing 1) light, 2) medium, 3) heavy, and 4) burnished Polychromos application.

After trying typical drawing paper for colored pencils (Bistol smooth/vellum, Strathmore colored pencil paper, etc.) and being unhappy with the results, I zoomed in on watercolor paper as a better option. The texturized surface and thickness of the cotton allow for more layers of color and fuller coverage.
There are so many brands and types to try, which is another reason I’m excited to use watercolor paper for colored pencil art. However, there were certain kinds I didn’t think would translate well. One of papers that I assumed would preform poorly was Arches Rough Watercolor. Spoiler alert: I loved it.

As you can see from the picture below, Arches Rough is heavily texturized. I thought it would be too toothy for colored pencils, but it turned out to be an absolute joy to work with. The toothiness was part of the fun of application.

Here is my test strip, using the following brands of pencils: Carand’Ache Pablo, Caran d’Ache Luminance, Faber-Castell Polychromos, and Prismacolor Premier Soft Core. Refer to Part 1 of this series for a description of the pencils.
Colors (left to right) are:



The verdict: all of the pencils performed well on Arches Rough. The wax-based pencils (Luminance and Prismacolor) worked the best. They applied like butter and resulted in full coverage. I was also able to get full coverage with the oil-based pencils (Polychromos and Pablo), but it took a bit more pressure. The paper allowed for multiple layers of color for each brand of pencil.
I will definitely keep Arches Rough Watercolor Paper on hand for colored pencil art. It isn’t a great everyday paper due to its unique finish, but it will be great for projects where you want to draw focus to highly-texturized objects.
Stay tuned for Part 3 on Stonehenge Aqua Cold Press watercolor paper!

I wanted an excuse to play with my new set of Faber-Castell Polychromos colored pencils so I did a quick color wheel for a ROYGBIV study.
Cheap bullet journal stencil sets have been an invaluable tool for making color swatches. I found a set on Amazon that was perfect for color wheels and this was the result. It took about two hours and I’m happy with the result.